After wowing us in the skies with “Winged Migration,” the two Jacques (Perrin and Cluzaud) are back to entice us to gaze in the opposite direction. In “Oceans,”
 Disneynature’s reconstitution of the 2009 French release “Océans,” the 
filmmakers venture in, on and around our seas to discover photogenic 
oddities and endangered wonders.
                    All the crystalline imagery and poetic immediacy 
that we have come to expect from this new generation of 
up-close-and-personal nature documentaries is here. Horseshoe crabs 
scuttle like possessed Nazi helmets and a school of fish morphs from 
dreidel to disco ball, as if   choreographed by Busby Berkeley.        
                    
                    Moving from the infinitesimal to the gargantuan — 
from sea urchin larvae to 120-ton blue whales — the filmmakers work 
tirelessly to parallel their undersea world with the larger universe, 
offering genteel reminders of our mutual dependence.        
                    
Playing down the cruel (baby turtles running the 
gantlet of dive-bombing frigate birds) without overdoing the cute (a 
mommy-and-me walrus cuddle-fest), “Oceans” is almost too soothing.      
  
                    
                    “Human indifference is surely the oceans’ greatest 
threat,” murmurs Pierce Brosnan’s excruciatingly bland narration while 
images of the garbage patch in the North Pacific Gyre float on screen.  
      
                    
                    Reviews of the original film suggest a somewhat 
harsher  environmental message (for example, a sequence showing several 
extinct species has, um, disappeared), but the poor bluefin tuna have 
survived the Disneynature editors if not the nets of bottom-trawling 
fishing boats. In any case, that lone supermarket cart sitting forlornly
 on the ocean floor says it all. 

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